Move, Rotate and Scale modes

Mode icons are placed in the upper right corner of the screen. Let’s start with a Move mode.
Each mode has its own 3D Gizmo type which appears when you select an object.
To make the user’s work easier, shortcuts ALT + Q, ALT + W, and ALT + E, allowing you to quickly switch between different 3D Gizmo modes, have been defined.

When you select the object, it highlights in red and the 3D Move Gizmo appears.

If you hook the mouse cursor on any of the arrows, you move the object in that direction. The currently used arrow highlights in yellow.
When you move the cursor into the 3D Move Gizmo, you will find a place where all 3 arrows light up. You can change all values at once with the mouse cursor there, that is move the object in all three directions. However, it is easier to set the object’s shifts in successive axes.
Setting the shifts in some axes may prove particularly difficult or even impossible with various objects due to the lack of appropriate view.

Imagine that you want your talent to move from the desk to the front. When the camera faces straight at the Talent, you will not see the Z axis at all.

However, you can change the camera view perspective with the drop-down menu at the top right side of the screen. Let’s choose View Left.

In this view, the Z axis is clearly visible, which allows for accurate positioning of a shift in this axis. Pulling the Talent forward from behind the desk, you can precisely set the position in the Z axis, and also the height in the Y axis.

In the Position section of the Settings, you can see the values showing the exact location of the object inside your studio. Figures are given in centimeters and refer to the zero point set by the studio’s designer.

Let’s enable the Rotate mode now.

In the Rotation section of the Settings, you can see numerical values showing the angles of the object’s rotation in the studio. The figures are given in degrees.
Now, let’s enable the SCALE mode.

Select the object, it will become highlighted in red and 3D Rotate Gizmo will show up on it.

f you hook the mouse cursor on any of the circles, you can rotate the object. The currently used circle highlights in yellow.
When you move the cursor into the 3D Rotate Gizmo, you will find a place where all 3 circles light up. You can change all the values at once with a mouse cursor there, that is rotate the object in all three directions. However, it is easier to rotate the object with movements on successive circles.
Just as before, you can take advantage of additional views from different camera angles, if setting any of rotations proves to be particularly difficult.

Select the object in the studio, it will become highlighted in red and 3D Scale Gizmo will show up.

If you hook the mouse cursor on any of the cubes, you can increase or decrease your object in this direction. The currently used axis with a cube highlights in yellow.
When you move the cursor into the 3D Scale Gizmo, you will find a place where all 3 axes with cubes light up. You can change all values at once with the mouse cursor there, that is change the object’s size in all three directions. However, it is easier to set the object’s size in successive axes. Flat objects, such as Talent, can be enlarged or reduced in size in X and Y axes, but there is no possibility of “stretching” it in the Z axis.
Also in this case, you can take advantage of changing the perspective to get the right view helping you to set the changes in the object correctly.

Billboard function

This function is very useful in the case of a Talent object.

When you enable this function, the Talent will always be positioned ‘facing’ the camera, regardless of the shot. The camera will always point at the Talent at a right angle, as the Talent will rotate around a vertical axis Y. This way, a situation where the camera ‘looks’ at the Talent from the side, seeing only a vertical line, will be avoided.
Below the BILLBOARD checkbox you can also find ENABLE HIDE option. It is used to completely turn off a source of A, B, C, D type from a studio without the need to remove the object itself. The studio’s author can provide in the project possibilities of placing, for example, a form of a talent in various places in the studio. Using them all at once in one frame is not possible, so such source can be switched off for a while.

You have to be careful in the case when the Talent figure stands close to some other object, like to a desk, not to move into it when turning around.

In such case, you should increase the distance between the Talent and the object, or even remove this object from the studio. Graphic designer can disable the Billboard function for the Talent in their project and in this situation you need to save the studio in a new file to change this.

Scene tab

In the Scene tab, below Clone, Remove and Save… icons there is a tree with all the objects in the studio. See the picture below.

If you have a problem with selecting an object on your screen, for example, because it is obscured by another object located closer to the camera, you can select this object from the list. The object is highlighted in red on the screen then, and its 3D Gizmo, with which the object can be edited, appears.
A list of all the objects in the studio can be displayed in two modes. You can see the objects tree in a Simple mode in the picture above, with a list of whole objects created by the studio designer. When you enable the Advanced mode for the selected object (e.g. desk_background), you will be able to see its components.

If you are working in the OBJECT mode, that is you have an object selected and highlighted in a studio, you will see additional icons above the tree: Replace , Clone, Remove and Save…

  • Replace – allows you to swap objects. We can, for example, replace the desk object on the stage to another desk. The new object will be exactly in the place of the previous object.
  • Clone – (enables cloning the highlighted object) – it adds a clone to the bottom of the list, and places a new object in the preview window in exactly the same location as the original. You have to move the cloned object in order to see that there are, in fact, two identical objects in the studio.
  • Remove – allows you to delete the highlighted object.
  • Save – allows you to save the selected object in a directory on your hard drive. If, for example, you like the studio ceiling or its another element, you can save it on your hard drive and use it in another studio project. In order to load the object, you have to go to CAMERA mode of the mouse. Then the Add – icon will appear on the screen in the place of icons: Clone, Remove and Save. The appearance of the Add icon can also be called by clicking [Scene] on the tree with a list of all objects at the very top of the list.

After pressing ADD button… a window with available objects in the Reckeen system database is displayed. It allows you to view an object when you select its thumbnail. On the right side, you will see full information about the object and its location. It is possible to search for an object by typing in first three characters or by using categories and sub-categories. If you want to add an object to the set design that is not in the database, just press “Load file” button and then select an appropriate file from the disk.

You can load objects from files: *.recNode (the Reckeen 3D Studio system’s own obcject files) , *.obj,
*.fbx, *.3mf (external programs’ files like Microsoft Paint 3D) and *.recSet (the Reckeen 3D Studio system’s own studio files).

Node section

If you select an object in the studio and it highlights in red, a Node section will appear in the Scene tab below the View Mode section, along with its subsections: Position, Rotation and Scale.

These subsections show accurate numerical values of the studio object’s settings in the subsequent modes that can be selected at the top left of the screen: Move, Rotate, Scale. Picture below.
Changes in the object can be also precisely set by clicking up or down white arrows on the right side of the displayed values. You can also enter your own numerical values of the object’s settings. To do this, select the numeric field with a cursor, so that the value highlights in blue, and enter the correct number on your keyboard.
If the object you have selected in the studio is a Talent or a Screen, then you will see an additional subsection Source in the Node section

These are the objects for which you can change the sources with the A, B, C ,D mixer on the 3D Production screen, when the Live option is selected, as shown in the picture above. See section: Selection of signal sources A, B, C, D.

If you select the Bitmap option, it means that you will not use the A, B, C, D mixer in the project of your studio, but rather place an image as a source instead. For example, if you have a couple of screens in the studio, you can put different images on some of these screens with the Bitmap option, and a movie or a camera feed on one or a few displays with Live option. If you cannot select a single display screen in the Simple mode, as all the screens were grouped together by a graphic designer, you should use the Advanced mode.

Clicking on the icon with three dots will allow you to upload an image file from your hard drive. The path to this file will be displayed in the window. As shown below.

Click on the bin icon to clear the window.

To set the Source index, click on the drop-down menu and select the index type: A, B, C or D. Then, what you have previously assigned to the sources A, B , C or D in the mixer, will be shown in the studio. See section: Selection of signal sources A, B, C , D.

To set the Source type, click on the drop-down menu and choose the type. See the picture below.

To set the Source type, click on the drop-down menu and choose the type. See the picture below.

  • Talent Full – the Talent type – a view of the whole figure,
  • Talent Middle – the Talent type – only the upper half of the figure is visible,
  • Talent Desk – the Talent type – a figure sitting behind the desk,
  • Screen – a screen view,
  • Other – a view specified by the user,

You should take into account that if you have multiple Live sources of the same index (e.g. there are several A objects in the studio at a time), then changing the Source type of one of them (e.g. Talent to the desk) will automatically result in changing the type of all the instances of A.

The Source type function places an appropriate image on a studio miniature. You will be able to see it in the shot’s preview in the production module. For example, if the studio designer envisaged that a source of the Screen type will be placed in a given location, then you will see a green graphics on the studio miniature. You will also be able to see a Talent figure in a position behind the desk on this miniature, if the Talent has been placed so. This facilitates operating the A, B, C , D mixer.

Camera tab

There are the following tabs at the top right of the screen: Scene, Camera and Light.
Let’s choose a Camera tab. Picture below:

A list of default camera shots for the studio will be displayed. These shots (their number and type) have been defined by the designer of the studio.
If you choose Camera 1 shot, its view will be visible on the screen. You can change this shot by setting the camera differently with mouse buttons in the Camera mode. Remember that this way you will not be able to change in the editor the shots currently loaded to the production module.
These shots will be loaded into V/C groups only after reloading the studio project file to production. When you finish the editing, you can save such altered project as a new studio under a new name.

The studio file should be saved under a different name, because if you try to save it under the same name, the system will warn you with a message concerning an attempt to overwrite the file.

If you decide to overwrite the file and the given file is write protected, you’ll get a message, as shown below.

If you want also your new file protected against overwriting (changing), check the appropriate option during the process of creating this new file – saving it.

You can also change the number of the new studio’s default shots by: adding a new shot, cloning a chosen shot, deleting some of the shots or changing their name – with Add, Clone, Remove and Rename functions
The picture below – five new shots were added to the four shots created by a graphic designer.

You can define up to 15 new default camera shots. They will be immediately visible in the Camera setup in the V/C 1 to V/C 4 after loading a new studio to production – exactly the same for each virtual cameraman.
It is very useful and therefore, in addition to the Camera tab, you also have a possibility to switch between the default camera shots (Camera_1 to Camera_4) at the top of the screen, next to the View Perspective icon. See the picture below.

This allows you to switch between the shots while working in the Scene or the Light tab, and to monitor on a regular basis how the changes introduced in one camera view look like in another one . See the picture below
For the ease of use, there is also a possibility to work with objects in the Camera tab – you just have to switch to the OBJECT mode with your mouse. However, it’s a SCENE tab which was especially designed for this purpose and so it has more options for editing the objects.

Edit: Undo and Redo functions

There is an Edit option available at the top left side of the screen. You can trigger Undo and Redo functions from the drop-down menu or through the keyboard shortcuts. Undo: Ctrl+Z, Redo: Ctrl+Y

  • Undo function – erases the last introduced change.
  • Redo function – reverses the Undo command.

Note, however, that if you undo several operations and now you are performing a completely new operation, all undone operations will be deleted from the job queue (list of tasks). In case you perform a lot of operations, the system can limit the amount of memorized operations that can be used with Undo, Redo functions.

Operating modes: Camera and Object

First, let’s discuss the different operating modes of a mouse on the 3D editor screen:

Camera operating mode

Clicking with a simultaneous movement.
Left mouse button: change the camera’s position/view in the studio in X, Y axes. Scroll – move the camera forwards and backwards in the Z axis.
Right mouse button: rotate the camera in a studio – to the left or to the right and up or down.
In this mode, the mouse can lock X, Y, Z axes in order to position a camera view accurately, just as in the Camera setup.
On the picture below – two axes (X and Y) are locked, so the movement is possible only in the Z axis.

Object operating mode

If you only click the left mouse button, you will select the object located at the cursor’s position. The object will be highlighted in red and a 3D Gizmo, which is an indicator allowing you to edit the object, will be displayed for it. The type of the Gizmo indicator will depend on the selected object’s editing mode (move, rotate or resize). You can see a 3D Gizmo portrayed with arrows in the following picture, it allows you to move the object in all 3 axes.

With right-click on the 3D Gizmo you can carry out an orbit operation on the highlighted object. This operation is described later on in this manual.
When the object is selected with a cursor and highlighted, you are still able to move your camera. Just click the left mouse button and move it simultaneously, but this time – beyond the red outline of the object. This allows you to position the object better in your studio, being able to see it from every possible angle.
If you want to disable the object’s highlight – just click the left mouse button again on the object highlighted in red. The highlight will disappear, thereby signaling leaving the Object operating mode.

Virtual 3D studio editor

The goal of working with the editor is to prepare a studio before a live broadcast. You should keep in mind that, if one of the V/Cs is selected in the main PROGRAM mixer at the moment and you want to make some modifications in the editor – it can cause some unexpected changes seen directly by the viewers, e.g. a studio element disappears.
You can open the editor with Studio Editor button. As shown below.

After opening, you can see the editor screen. The Reckeen 3D Studio system operates on a single file virtual 3D studio project loaded, but it can be a very complex one. You can add another studio project to the already existing one and place it on the same set, e.g. by its side or at the top. The second studio is added with the Add… button in 3D Editor.
This way you will have in one file , two different studios with the possibility of two (e.g. V/C1 and V/C2) cameramen in one virtual studio and two (e.g. V/C3 and V/C 4) in the other studio.
After adding a new studio, it may not have lights. If your studio is dark you have to add light to it.
See the picture below.

Save Session files

In order to keep all the studio settings (selected sources, virtual camera V/C positions and settings, and others) and be able to use them for the next production, there is a possibility to save them in a session file. To open such saved settings, you have to load an appropriate session file at the start of 3D Production module.

Aspect Ratio function: Keep/Stretch

With this function, you can set the aspect ratio for sources A, B, C or D, for movie files or for images.
The Keep option allows you to maintain the source’s aspect ratio, while the Stretch option stretches the image to cover the whole desired area. See the following example.
If, for example, a video file with its aspect ratio of 4:3 is placed in a studio on a display, which has an aspect ratio of 16:9, the image file proportions will be maintained and the ‘lacking’ space on the screen will be transparent.
If you select the Stretch option, the image of an aspect ratio of 4:3 will be stretched to 16:9 proportions, and there will be no uncovered space on the display. You have to remember that the stretched picture will not have the previous aspect ratio.

Selection of signal sources A, B, C ,D

The setting all the A, B ,C and D sources is identical for all cameramen V/C.
The fundamental part of studio configuration is a selection of a source. Usually, a studio project allows you to place there 4 input signals A, B ,C and D that are set on the mixer in an additionally opened panel.
In a studio design, the first two of them, namely A and B, are almost always images of presenters (Talents), from CAM 1 to CAM 4 sources. A keying filter is applied to these sources.
The applied key removes a uniform background (e.g. green), on which the presenter is filmed.
The third and fourth signal source – C and D may be a film or a still image. They are usually displayed on virtual screens that are a part of studio scenography. Everything depends on the project. In the picture below, you can see tree images of presenters (source A, B, C) and studio screens, where a film (source D) is displayed

Most often the default A, B , C and D sources were defined by a studio designer, but you go to the Studio Editor and create your own settings, e.g. remove a Talent or add a screen. In each studio, signals can be used in a different way. Due to this flexibility, the signals have been described in a studio configuration panel in a universal way – symbols A, B , C and D (image below)

There are four separate rows of buttons with identical descriptions for sources A, B ,C and D. This enables a separate regulation of parameters for sources A, B , C and D.
The input signal for studio composition can be: a transparency (Off), a camera image (CAM_1, 2,3,4), a video file (Media 1, 2), an image/bitmap (Still 1, 2),
And so are called the buttons located in four rows below the studio previews. The button with selected source is highlighted . Changing the input source takes place immediately, so you can change it during the live broadcast.
After selecting the appropriate signal sources, a figure of a presenter will be displayed against a studio scenography, and a selected video file or a still image will be shown on virtual screens. If a keying filter has not been enabled for the source with a presenter figure, you have to switch it on and set its parameters. After applying the correct keying parameters, a background against which the presenter is filmed (e.g. green) will be removed and the figure of the presenter will be visible against the background of the studio scenography.
In order to make the figure of the presenter fit better into set design you have used, you can adjust the figure’s size and position in the studio. A separate window is used for changing these parameters. The window can be opened with a button located next to the buttons used for the studio’s signal sources selection.
This window works on the same principle as the Placement window earlier described in the DSK section. The only exception is an additional function Aspect Ratio: Keep / Stretch described on the following pages of the manual.